Sometimes when drawing time is limited I’ll do a quick exercise from memory, maybe 10-20 mins in length. I’ll just work through an idea, in this case a leg study but it could be anything really. It’s a great way to gauge how well you know a subject and helps keep the tools sharp. It feels similar and I think has similar rewards to doing scales or exercises on a musical instrument.
Drawing with intention
I think it's really useful to go into a drawing with intention. Before starting a drawing ask yourself what it is you want to say. What speaks to you about the pose and what's the story you want to tell. It's so easy to go into autopilot and just copy what's in front of you. Give yourself that moment to gather your thoughts, then draw!
Sometimes, less is more!
Shorter poses give us the opportunity to get right to the point without getting too fussy or obsessing over the details. When working on shorter poses ask yourself, what's absolutely necessary to tell the story? Everything else is a bonus. 10 min, charcoal on newsprint.
Drawing from reference
When I can't get in front of a live model I practice from photo reference or from memory. It doesn't replace working with a live model, but if you can resist the temptation of just copying a series of shapes and think about the form in three dimensional space, photo's can be a very useful tool for us to keep our skills sharp. It's also useful for working with poses that a model typically wouldn't be able to hold.
Push those proportions!
In Figure Drawing, one of the keys to maintaining vitality and life in a drawing is down to how you handle exaggeration. I always try to push a pose 10% further than what’s in front of me. That way, when the drawing settles down you still have something with life and not a stiff facsimile. This can also apply to proportion. I find it’s a good exercise to push proportion till it ‘almost’ breaks. Sometimes you go too far but but that’s half the fun of it!
The Essence of Life Drawing
FIGURE DRAWING & ANATOMY WORKSHOP, 18TH - 20TH NOVEMBER, FLORENCE.
2 Day Life Drawing Workshop at Frogmore Paper Mill
Next week! A two Day Life Drawing Workshop at Frogmore Paper Mill, in Hemel Hempstead on May 10th & 11th, 10am-4pm each day. Take your Life Drawing to the next level! Hope to see you there!
Life Drawing bootcamp starts tomorrow!
This three week bootcamp will help bring your Life Drawing to the next level. Over the 3 weeks we'll look at the different stages for developing solid drawing habits through a variety of techniques, lectures and demos whilst drawing from the model. We’ll discuss design language, transitional forms, foreshortening and a variety of topics that will help develop our drawing.
Anatomy: An Introduction
Some thoughts on Anatomy and why it matters
So many years ago when I started studying figure drawing I had no idea I'd get so immersed in Anatomy! Artistic Anatomy has been an essential component in my development as a Figurative Artist. But understanding Anatomy alone is not enough, it's how we apply those ideas that matters.
So why do we need to learn Anatomy?
Back Anatomy study from écorché. 2018
Well, if we understand what lies beneath the surface we can make some informed decisions on how to represent what we see on the surface. We use anatomical landmarks to help understand and make sense of what it is we are looking at. In turn, we can then make creative decisions on how we want to represent those ideas. When we start to learn Anatomy it can be quite intimidating but it's not essential to know all the names of all the muscles. Knowing some of the major groups and how they relate to each other will go a long way and over time your knowledge will increase and a certain familiarity will start to take hold.
If we break it down into sections, we can make it manageable and develop our understanding in an incremental way without having to get overwhelmed by the whole.
Get out that Anatomy book!
This is a good place to start. Open the anatomy book sitting on your shelf and have it next to you while you draw. If something that you're seeing on the figure needs clarification then you have reference easily at hand. I'll do a book list in a future post where we can look at just a few of what are probably thousands of books on the subject at this point. Another option is obviously google images, but it's a bit more chaotic.
Leg Anatomy study from écorché. 2018
Anatomical study of individual body parts is a great way to familiarise yourself with the patterns and proportions of the muscle systems. Take the torso, an arm, leg or anything that grabs your interest and copy it from the book. Most likely the names of the muscles will be next to them and this will help start to build that knowledge base.
A nice supplement to the above if you have access to one is an écorché. The écorché used for the drawings on this page is a model that sits in my studio. They're not essential by any means, but a nice additional reference.
If you can give just a few minutes a day to Anatomy you'll be amazed how much it will help. As you continue to develop your Figure Drawing you'll have that knowledge to fall back on and help inspire the next decision.
Plenty more to come about Anatomy and how we can apply that knowledge in a meaningful way in future posts!
Gesture Drawing
5 min Gesture from this last week at one of the few sessions where I get to just sit down and draw! Getting those large ideas down quickly gives us a chance to see where we need to adjust before moving further into the drawing. My Life Drawing Bootcamp starts this Tuesday! 3 Tuesday evenings in Covent Garden, should be fun!
